FINAL DRAFT CONTEST FULL
FINAL DRAFT CONTEST PROFESSIONAL
FINAL DRAFT CONTEST TV

ScreenCraft claims no ownership nor option on your work.ScreenCraft uses Coverfly to manage submissions and automatically removes cover pages before scripts are read by the judges. Contact info may be included on the cover page of the screenplay, however it is not required.It is recommended that original material be registered with the WGA or The Library of Congress before submitting to any competition, however we do not require registration.

Please proofread your script carefully before submitting.

Substitutions of either corrected pages or new drafts of the entered material will be allowed for a limited time with a $6 reentry fee through Coverfly.

Each team is responsible for dividing or sharing any prizes awarded as they deem fair (whether there is a cash value or not).

If a writing team is chosen as a winner, prizes will be given to the person who submits the project.

Material written by writing teams must be submitted by one of the writers, with consent of the other(s).

Material must be submitted by the writer.

All submitted material must be owned by the writer(s), however the material may be based on other works not owned by the writers.

FINAL DRAFT CONTEST FULL

Entries must be received on or before the deadline dates by 11:59PM Pacific Time, and submission fee payment must be made in full at time of the submission.

Any script submission longer than 30 pages will incur a $1 per page overage fee for each page over 30.

While short scripts may be any length, we recommend scripts be between 2 - 30 pages.

Requests for feedback can be done through Coverfly

FINAL DRAFT CONTEST PROFESSIONAL

Optional feedback from a professional reader may be requested at the time of entry.

No coupon or discount is applicable on a previous entry. Entry fees are as listed on the site and checkout form.Submissions are accepted via electronic submission only.

FINAL DRAFT CONTEST TV

After placing in the top ten for the ScreenCraft TV Pilot contest, I received an offer for representation from an agency! The people who run the contest are genuinely interested in the careers of the folks who rise to the top.' I could not say more about how helpful ScreenCraft has been in moving me towards my screenwriting career goals. I submitted revised versions of scripts based on this feedback, and was able to place in the contest due in no small part to this feedback. Having folks inside the industry who actually know what they’re talking about provide structured feedback is invaluable. If you opt for their script feedback, you won’t regret it. Though I had some publishing history in other realms of fiction, I was completely starting out as a screenwriter. 'Before entering ScreenCraft, I was completely on the ground floor. Corey Hill Signed with Manager at The Jackson AgencyĪfter placing in the top 10 of the ScreenCraft TV Pilot Competition for his half hour Your Best You, Corey Hill signed with The Jackson Agency.

Final draft contest